Review de "Sonia eyes" by Mario Mirror
These poems of Richard Bertozzi must apply to the reader in the same way they have imposed on its author, a sort of biological force that seems to matter every literary concern. But perhaps it is this freedom to ensure the outcome literary words in a voice that seeks the meaning of things and the things in response to the ardor of the heart and the emptiness of loneliness, which often seems to envelop and destroy the created creature. The 'Sonia's eyes' are so metonymic personification of a reality that opens the horizon of hope and metaphorically represented by almost the medium, a knowledge that further connects the conflicting tensions of feeling and mind. Bertozzi is offered in these texts, helpless, almost abandoned the trial of those who, reading it, he is forced to follow his path, to live compassionately took the existence of a story that relies on the word total confidence and conviction as peremptory. And if in some compositions can be felt, as is natural, some bitterness, some are raised in a stamp then happily resolved, I think Elanor or Sonia in a dream, two of the lyrics more compact and transparent. What is certain is that Bertozzi need to write and call and the fire is crackling in his verses, far from being casual and offhand, promises to grow and expand in breadth and depth.
Brief on Mario Mirror
Mirror Mario teaches German literature at the University Siena, where he was born.
He has published two books of poems, A handful (Nuovedizioni Valsecchi, 1978), and Nostalgia of Ulysses (Passigli, 1999), a collection of stories, Death of a doctor (Sellerio publisher, 2004), other translations by Goehte, Hesse, Celan, Rilke, and several studies on the poet Mario Luzi, which was also a friend.
To buy the book: Buy IBSalso "The dream of Poldo" (stories) by Matthew Pugliares
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